Friday, 10 June 2022

Careers Syndromes: Part Two, The Office


Part One.
Part Two.
Part Three.
Part Four.
Part Five.
Part Six.
Part Seven.
Part Eight.
Part Nine.
Part Ten.

Keep an eye out for the writing on the wall, while taking the mood of the meeting and reading the tealeaves...


An office is staffed by five women and one man. Only the man understands the accounts software they’re supposed to be working with so he does the work while the women chat and make tea. None of them can be sacked because unions/public sector. (See Keith Waterhouse’s Office Life, about an unambitious man who gets a job at an organisation that at first seems like all his other workplaces. But the phones never ring, and slowly he figures out that the whole teeming ant-heap of employees are producing... nothing. And none of them have noticed.)

Not so unthinkable – some staff work at an organisation for years without really understanding what it is for. (And I used to temp at firms for a week or a few days without having a clue what they did – I gradually worked out that most firms make and sell widgets and this is what makes the world go round.)

You have little idea what your colleagues do, and it doesn't occur to you find out. You manage not to see that they are working, and interrupt them every five minutes. 

We have accreted people – and some of them took the opportunity to do nothing. (Ex-colleague)

You’ve been in a job for a while and you notice that nobody is performing function X. After a few more months you realise that The Powers That Be are expecting YOU to do it, without notice, meetings, instructions, job description, mentoring or oversight. You don’t have the job title or requisite salary. You may get the sack for not doing the job they never told you to do, once they've worked out you aren't doing it. (I have actually lost count of the times this has happened to me.)

You're hired as X's assistant, but are gradually given several other responsibilities. X still thinks that when you're not helping him out, you're doing nothing. You end up as X's boss, but nobody – least of all you – dares to tell him.

Someone starts a job they don’t have much experience in, picks up a few technical terms and confidently throws them around but gets them slightly wrong. Doesn’t bother to do the research, read the book, manual or info, or ask questions. When you try to show them how to do something, they are too busy bluffing to listen. Or else they say “I don’t need to do that!” You give them, successively, five copies of some instructions. They bin them all unread. Meanwhile, they are very good at their job.

You send round memos (remember them?) giving tips on the computer system as you discover them. You get told: "I didn't read it because I didn't understand it."

You'd think people would be glad to know how to do their job faster – but that's the last thing they want. If they can do this task faster, they might be given more to do to fill up their time. And they find it easier to use the slow, inefficient way than to learn the new, efficient way – or to think of a workaround.

Ghost jobs: the people who did them have been made redundant, but the work still needs to be done by those who remain.

A plain, single older woman is a member of your team. You can’t get rid of her, so you get her to do something inappropriate which she has to go along with as a “good sport”. It makes her look utterly ridiculous, so that all the younger team members can laugh at her.

Spend an entire meeting discussing where to store the office Pritt stick. Solution: Give everybody their own.

You get a job, join a team, bond and have a great time. Then the boss leaves, a new one arrives and suddenly most of your friends have gone too. The new chief recruits his people. You realise he wants to replace all the old guard. Desks are “reorganised” in order to break up existing alliances – or to make them almost impossible to reach. You aren’t given tasks, and get criticised for not pulling your weight. The boss takes you aside for a "brief word" and tells you that you don't seem to be happy, and have you ever thought of going freelance? The new team has been instructed to freeze you out by pretending you aren’t there. You may “turn” them one by one, or make a dive for the exit.

You're hired, but are not given anything to do. Slowly you realise that your colleagues don't have anything to do, either. 

As the office shrinks around you, you still have a job to do and do it. You keep thinking it’s over, but it isn’t quite. But one day it is. 

In a 6-month period: I was hired to manage a growing anti-abuse team; hiring was frozen; an exec seized control for his own glory; my team was decimated; I and others were laid off; I got no severance. (@williampietri)

In his novel Towards the End of the Morning, Michael Frayn wrote about the old Fleet Street, once home of the UK’s newspaper industry, where people had jobs that took them a few hours a week, and thought life would go on like that for ever. They've become quite good at filling the empty hours, but it never occurs to them that this is no way to run a railroad – or a life.

I once worked with this guy who had the perfect scheme going where he solidified his reputation as the “busy guy” so nobody ever asked him to do anything or expected him to know details because he was “so busy” and in hindsight I think he just never worked.
(@CartoonsHateHer)

A staff member touchtypes invisibly, so people interrupt her, thinking she's not doing anything. She doesn't know you are supposed to act "I am terribly busy" – hunching over the keyboard and audibly huffing and puffing. Touchtyper wonders why they are making such a meal over doing something quite simple.

When someone is doing something computery and says "I can't talk now – I've got to concentrate", you carry on talking, because you just can't imagine what they might be doing.

A group of colleagues works together for 20 years. The firm sells the valuable office space and relocates their department to join others. The internet happens and the team's work is no longer needed. They are given other tasks, but some never forgive or forget. They sit in meetings with histrionically miserable expressions, trying to catch your eye. 

Computers automate parts of your job, but instead of being grateful, you moan that your job has changed and keep expecting Mary Poppins to come along, wave a wand, and say "All as before!" And it never occurs to you that if the operation is more streamlined and efficient, we can all go home earlier. (Techies say: "Your first task is to automate your job out of existence.")

A new colleague joins the team. After working alongside you all for a few months, she's given a new role: saving the company money. After a while she leaves to "write a novel". A round of redundancies follows. (Took me years to work that one out.)

New guy is clearly going to supersede the boss. Boss suffers “slow erosion of his position”.

A colleague had her workload reduced and her job moved to another state. (huffingtonpost.com)

When someone looks and acts like a leader, but isn't one. (Koen Smets

Lead from behind:
 Make someone else the leader. Someone malleable, with expertise but no ambition. You pull her strings and tell her what to say, while taking none of the blame. ACT II: She turns out to have ideas of her own. Act III It turns out she really cares about the job/project. ACT IV: She refuses to spout your ideas or enact your policies. ACT V: You do her favours, you take her on offsites, you open the discussion in a pleasant location – and she still won’t follow your instructions because she has more loyalty to the organisation, the project, or the art you are engaged in – than she has to you. She has actually become the leader instead of you.

Why not undermine the person who’s supposed to be in authority over you, in view and hearing of others who are also supposed to be managed? They will enjoy it, and you can all get together and laugh about it.

An employee has repeatedly let you down. So you give him some responsibility, because, poor thing, nobody trusts him.

Some people ask “What would I do if I was in charge?”, while others wonder “How will this affect me, one of the crowd?”

In the Richard Bissell's novel The Pajama Game, the manager won’t give the workers the pay rise they merit, or update the aged machinery, but spends huge amounts of time and money on motivating his sales force. 

A new manager abolishes antiquated procedures and activities. She throws out 20-year-old rubber-band balls and drawers full of unusable Treasury tags, and stops staff saying “When we were in the old building...”. Work is now streamlined and efficient. As soon as she goes, everything goes back to as it was in Year One

An organisation goes through many updates and reboots over 20 years. But there are some who, given an inch, will rush straight back to the original conditions, ignoring all updates and reboots as if they had never happened, and forgetting everything that has been added to or altered in working practices in the past two decades. They spend a lot of time galloping down memory lane and reminiscing about the Good Old Days. They imagine the organisation's original form and purpose is the real one that can never change.

Another, on the other hand, joins the organisation with the intention of turning it into something completely different it is never likely to become. He assumes an authority he doesn't have. After a few years of trying to impose his vision on colleagues, he leaves to pursue the same project elsewhere.

Staff are emotionally invested in duplicated paper records, and a library that nobody needs any more since the internet happened. They even want to hang on to grimy old yoghourt pots used as pen holders, and long-expired herbal tea-bags.

Anything on a woman's desk – pens, staplers – belongs to the firm and can be used, borrowed or appropriated permanently.

You work in an office for several years without finding out where the stationery cupboard is – or that there is one – or that such things exist.

You work for a well-known firm while simultaneously despising it.

I know so many college-educated people whose idea of incompetence is someone who won't do something until the second nudge email, rather than someone who literally won't do something the right way even after you demonstrate it ten times and explain why it's important. (@herandrews)

You refuse to learn more about new technology than the minimum needed to do your job, so that you are terribly surprised when it becomes possible to run the operation from another country and you're out on the street.

When newspapers got rid of printers operating hot metal typesetting machines, many journalists were astounded to find that they were now effectively typesetting their own stories on a computer. They just hadn’t foreseen it.

Staff waste a lot of time fixing problems caused by a software setting that could easily be tweaked to solve the issues at a stroke. And every time they fix it here, it pops up again there. When the boss is told how it could be fixed for good and all, she doesn’t understand the explanation, and comes up with an instant objection that isn't really an objection. Unfortunately the tweak would need to be made in the master template by staff at head office, who don’t understand the problem either. The one person with the knowledge can’t get past the boss, and has no authority to give instructions to staff at head office, who barely know of their existence. (More technophobia here.)

You think yourself too good for most jobs. You expend more energy in moaning about conditions than doing anything about them; in getting compensation than doing the job. Sometimes while living off a boyfriend or girlfriend.

In an office where there are too many staff, overpaid for doing little, everyone has an obscure feeling of being hard done by. They hold constant indignation meetings, but never come up with ideas for speeding up the operation or managing themselves since nobody is managing them. They pass round rumours that the powers that be are planning to shut offices down. Eventually those offices are shut down and most of the staff are made redundant. They are simply furious.


 









Careers Syndromes: Part One



Part One.
Part Two.
Part Three.
Part Four.
Part Five.
Part Six.
Part Seven.
Part Eight.
Part Nine.
Part Ten.

"If hopes were dupes, fears may be liars", says poet Arthur Hugh Clough. What’s that you say? Hopes can be dupes? I thought all we had to do was “live the dream”!

Will your career follow a narrative arc: finding your passion, early struggles, success, more success, money, a title, retirement? Or will you wear out your youth trying to break into an over-crowded profession, be spoiled by 15 minutes of fame, take a disastrous wrong turning, accept a job you know is wrong for you, fail spectacularly, try to do the impossible, spend your life waiting for "my big break", never be heard of again?

Or will you experience a second act when your skills mature and your talent is recognised? Will a second career overshadow the first? Or will you give up the thing you’re good at in favour of the thing you’re convinced is where your genius can really shine – even though nobody else agrees? What do you do when the work dries up, the village slowly dies, the bottom falls out of the market, and too many people get into the game? You may wake up and find myself famous, like Lord Byron. Or you may wake up and find yourself hopelessly dated. Take an audit, and be prepared for the following.

How to have a career in TV: go to stage school, be in a girl band for five years, get on a talent show, present a programme about fashion, do Dancing on Ice...

Actresses get paid thousands of dollars by couturiers and jewellers to wear their stuff to the Oscars. And Julian Assange took thousands from publishers as an advance on a book he didn’t want to write. 

You think you’ll be an actor/writer/composer/singer one day but never take acting lessons, watch Pop Idol, listen to other singers; never ask yourself if there’s much call for people of your age, looks, weight or height. You think you'll run a business but don't research the market price.

Don’t move to Glastonbury thinking you can make a living as a Tarot reader. If there’s one place with a surplus of Tarot readers... 
(LW)

You write your memoirs but never wonder if your life is worth recording. The person with the really fascinating life won’t write it. The one who has a story to tell is unable to remember any details, or use any adjectives apart from wonderful, marvellous etc. (Keep a diary and one day it will keep you.)

Jane Austen knew she was unsuited to writing a historical novel about the house of Hanover. Conversely, you take the ill-fitting job, or pursue the career, suffering agonies in the process. Ivana Lowell (Why Not Say What Happened) forced herself through ballet classes at drama school and never became more than very bad. 

I went on to fail pretty miserably in the things I thought I was going to do – like be a radical documentary filmmaker. But I ended up taking a path that suited me much better.
 (Former head girl Anna Wright, Guardian 2015. She now works in health and social care in Camden.) 

Adrian Shine went to Loch Ness to look for the monster, never found it, but became an expert on Loch Ness and continues to research the landscape.

James M. Cain spent many years trying to become an opera singer; then, in middle life, with hope nearly atrophied, he wrote the fabulously successful novel, The Postman Always Rings Twice. (Florence King, Wasp, Where Is Thy Sting?

She, with that ignorance of scale that always afflicts amateurs, had not recognised the limits of her performance. She had seen it as the start of something. (Simon Brett, Dead Giveaway, on a woman who takes part in a TV game show as a “member of the public”)

There is painful disillusionment awaiting the man who comes to dig in Egypt in the hope of finding the golden cities of the Pharaohs or the bejewelled bodies of their dead. (Arthur Weigall, shortly before Howard Carter's discovery of Tutankhamen's tomb. See also the man who, early in his career, spotted a Titian in an auction, bought it and sold it for a huge sum. He never had the same luck again.)

People on Alex Polizzi’s The Fixer who have spent ten years running a business and not even knowing they only make £5,000 profit a year (or a loss). And they cry when it’s suggested they should give it up because it would be a waste of ten years of their lives. 

They would keep suggesting impractical ways we could earn extra money. (Our Spoons Came from Woolworths, Barbara Comyns. In real life Comyns raised money by “modelling, converting houses into apartments, breeding poodles, renovating pianos, dealing in antique furniture and classic cars, and drawing for commercial advertisements”, says Wikipedia.)

He tried to open several businesses on the side but none worked. (Harvard Business Review)

Dai Bradley, child star of the film Kes, “embarked on several other unsuccessful projects: a board game, a television series focused on high-stakes backgammon, and a film about medical ethics. In 1999, he began writing a children's novel. (Wikipedia)

Journalist Caitlin Moran’s father lost his job mending washing machines due to arthritis. He tried to make a go of selling cleaning products door to door, starting off with great faith in his “Irish charm” and being reduced to tears after a few weeks.

In The Art of Fielding by Chad Harbach, we see young men who know that their four years on the baseball diamond at Westish College are all that remain of their sporting careers. (Publisher's blurb)

He climbs his way down the ladder from starting pitcher to reliever to glorified spectator. (Amazon commenter on Mike McCarthy who wrote about his short baseball career)

Nothing more poignant than a fading boxing career. (Sathnam Sanghera)

Ken Russell became a clapped out old buffer very early in life. (imdb review of Billion Dollar Brain)

The Western is one of those art forms, like jazz and poetry, that every few years is said to be making a come-back, but never quite returns from the grave. (Cosmo Landesman, Sunday Times, 2007. Or else come-backs are excitedly announced for things that have never been away, like knitting, craft or flares.)

Who said that the middle classes kept jazz on life-support for too long?

Early fame gets smaller and smaller in time's rearview mirror. (Guardian, 2003) 

Janice Nicholls became famous in the 60s for saying “Oi’ll give it foive” on a pop panel show. When her 15 minutes of fame were over she went back to Hednesford in Staffordshire and became a chiropodist.

You become quite celebrated for something unexpected (your toilet book is a hit) and get used to being invited to parties and having people want to meet you. Then everyone moves on to the next thing, or tastes change and you're forgotten.

American masters of self-invention who outlive their own revolutions.
(Gerri Hirshey, biographer of Helen Gurley Brown. HGB’s advice “nobody needs to be a mouseburger” is perennial, but she was almost immediately superseded by high-minded feminists who were very Puritan and Quaker and self-denying and wore drab clothes for the good of all. HGB was about succeeding in a man’s world by being ultra-glamorous and sleeping your way to the top. More about her and her books, Sex and the Single Girl and Having It All, here.)

A friend invented tech journalism and became a star. Times changed and now tech journalism is mainstream, and by the end of his career he was sidelined. 

You make a living for 20 years importing Rajasthani furniture, then everybody moves on to G-Plan and Ercol, and Rajasthani knock-offs have slid down the ladder as far as Argos. 

Sub editing used to be an enjoyable, lucrative job. Freelances had to turn down work. Twenty, 30 years on, it’s a shrinking market. One person is expected to do three people’s jobs, but the standard is ridiculously high. Rates haven’t risen in years. Sometimes you're asked to bid for a job and it goes to the person who asks for the least money. Print media is contracting, employers think technology can substitute for professionals. Qualified, experienced people are fighting each other for the few remaining gigs. They are also competing with recent graduates, and retirees who’ve done a course in proofreading. 

Once I turned my back on it, I found all the debutantes in London were learning paint finishes and starting little colleges to teach it, and the bottom fell out of the paint finish market. A friend showed me a book called “Shaker Style” and I thought, ‘The writing’s on the wall'. (Rag-rolling queen Jocasta Innes, who also wrote The Pauper's Cookbook)

Archie Rice in The Entertainer was “desperately clinging on while a music-hall tradition vanished around him”. (Susannah Clapp Observer 2009. Music-hall lingered into the 50s, with tiny audiences, says an Amazon reviewer. If Archie Rice had had any sense he'd have gone into TV, like Benny Hill and his stooges, many of whom had had long, distinguished music-hall careers.)

The hardest thing in life is knowing when it's over. Realising that your moment's passed, the mojo's gone, you are now in that terrible zone where the harder you try to make yourself relevant, the more it shows how past-it you are. (Michael Gove on Sex and the City, Times 2008)

Jack Kerouac, when a 40-something alcoholic, tried hitchhiking again. He stood in the rain for an hour, nobody picked him up, he went home

Mystery writer Margery Allingham describes a character “on whom old affectations hung like faded garments”. 

Miss Knag still aimed at youth, although she had shot beyond it, years ago. (Charles Dickens, Nicholas Nickleby)

Those weird Americans who spent their summers following the Grateful Dead long past their sell-by date and insisting on being addressed as Wind Dancer. (Alexis Petridis, Guardian, 2010)

Middle-aged Oxford bucks who hang about the university and live with the young tufts. (The Christmas Books of Mr. M.A. Titmarsh, William Makepeace Thackeray) 

‘One can’t go on leading the student’s life. Your friends here will grow older and go away.’ ‘Others’ll come. There are always students here and people like that.’ ‘Yes, but you’ll grow older too. Is there anything more lamentable than the middle-aged man who tries to go on living the undergraduate’s life? The old fellow who wants to be a boy amongst boys, and tries to persuade himself that they’ll accept him as one of themselves?” (Somerset Maugham’s short story The Alien Corn)

You're a popular, witty partygoer in the 20s, and everybody takes up your way of speaking ("Too, too marvellous my dear!"). But then the 20s are over and you're left without talents, or a niche, or anything much to offer, and with fading looks. Other Bright Young things have been working on their acts and cultivating people who might give them jobs or publish their books (novels about BYTs were a money-spinner). They move on and leave you behind. (D.J. Taylor, Bright Young Things, digested)

As a theatre designer you make a big splash, but all too soon your sets are overpainted, costumes end up in dressing-up boxes, and your productions exist only in a few black and white pictures.

Your project was supposed to take three years but it becomes a life work. It was meant to be a stage you moved on from but you never do.

Doing a masters may be life-changing or may be an expensive waste of time. (Lee Jackson)

A couple meet at university, and stay in their university town. They carry on using the campus library, and going to films and concerts there. They befriend current students and go to their parties. They may get a job at the university, but don’t do a PhD or become a lecturer. Being cool but slightly older works until they are about 30. They befriend first-years when they are third-years. But then the first-years become third-years and leave. They probably supply their younger student friends with dope and display an enviable hippy life style in an understated way. (I wrote about them in my novel The Fourth Door.)

You go on living like a student – binge drinking and living in a tip. And then you wake up and find you’re a middle-aged alcoholic. Conversely, there were some people who moved straight from living in a tip to hoovering their beige fitted carpets. For them, living like a student had just been a blip. Also, they conformed to the society in which they found themselves. Clever them. 

King David’s last years were marked, as in classical tragedy, by faded grandeur, intrigue, filial rebellion, the severance of old loyalties and his own declining authority, mingled with remorse and uneasy memories. (The Jewish People, David J. Goldberg, John D Rayner)

Director Edward Dmytryk, whose career would dismally end (the likes of "Shalako"), was here at the height of his powers. (Internet Movie Database, imdb.com. Watch his Farewell My Lovely.)

A massive and ultimately disastrous facelift was in store. (The Fortean Times on the Process Church, which went through many phases – Scientology ripoff, Utopian commune in South America, Satanism in Mayfair. The founders split up, but one male founder shuffled on for a few years with a handful of followers, until one day he suddenly left them in the middle of a park and went to work for the telephone service. He never contacted them again.)

“There comes a time when you have to hand in your gun and badge”, says Steve Coogan character Tommy Saxondale. He is the beardy, straggly-haired roadie from the Seventies trading on past rock notorieties, now employed as a pest controller. Life has slid by; people regard him, and his raddled hopelessness and tour bus stories, with contempt and pity. (Times, 2007)

It was fun, it ended, things do. 

***

A former bookseller regrets his flourishing, sociable career at Ottakar’s. 

I do find my life a little too monastic these days. However, I would hate to be one of those launch party stalwarts who never move on, still knocking back the bottles of Becks in their mid-40s, unsuccessfully trying to chat up a publishing assistant who could be their daughter. 

The weekend staff were merely taking a brief pitstop on their way to a glittering career (at least, that's what they told me)... For [the slackers], bookselling was a continuation of university life, with its constant shortage of money and cramped bedsits; redeemed only by brilliant conversations with like-minded people and long periods of inertia. 

But Amazon happened, book chains closed. He went independent and sold books over the internet. The business was quite successful at first, but instead of growing year by year, it shrank. He worked from a converted farm building surrounded by cows, with birds nesting in the rafters. He looked forward to getting a job doing anything – anything – that would bring him in contact with people again. But as he says, people get too old for offices at 35. 

You can follow him on Twitter as @Lord_Steerforth.

***

And here's some advice from friend Mike Lewis:

You aren't going to like this much. I've had a few clients over the years who have started a retail adventure. The thing is it is dead hard to make a living out of a single shop. 

Gift shop near Huntingdon selling all sorts of very nice things, like bits of arty decoration, furniture, rugs. She struggled on until the lease ran out but essentially the shop made a contribution towards the rent and her husband had to find the rest.

Gift shop near Baldock or one of those hell holes up the A1 in Hertfordshire. Sold nice wicker furniture and other nice decorationy things. Struggled on for a while. One partner left and the other carried on until, apparently, a tear in the space-time continuum caused the whole thing to disappear one day. At least that's how it seemed because it just disappeared.

Mobile phone shop. Problem here is anyone with good credit goes to Carphone Warehouse, phones4u etc and all they got was the crap. so they spent ages and ages getting what customers they could get through credit scoring. They had to pay for the phones up front and wait months to get the sign up commissions.

Off licence somewhere in Hertfordshire, I forget where, just not enough volume and while she was closed evening/weekend Tesco were still flogging it.

Video shop in Cambridge. This was in VHS days. They couldn't compete with Blockbuster (who moved in two doors down) but survived for a while by developing a speciality (Kung Fu movies).

They all end in tears. The problem is:

If you are selling something mainstream like baked beans or bog roll then you can't match Tesco/Aldi prices because you can't get the discounts from the wholesalers.

If you are selling something nice but not really necessary then people don't need to buy it and so you are the first expense to be cut when times is 'ard.

Before you get any profit there is the rent/rates/gas/electric/staff/stock to pay for and they are all hideously expensive.

***
A friend imported craft from Ecuador and ran a stall. People came in, looked at all the stuff but only bought tiny Christmas tree ornaments. (People say they want something handmade, but in the end buy mass-produced stuff.)

And don't think you can set up an editing service in competition with Grammarly... (Tip: if you want to sell your niche skills, make sure the name of your outfit, and your business cards and fliers, make what you do utterly explicit.)

And don't try and set up a singing group for beginners or amateurs. There are already too many. The premises cost the most: look for a charitable deal. Touting for interest, fliers and posters, all happens online now. Learn to work Facebook. Turn it into a series of videos for a set-up cost of nothing. Watch this space.