Sunday, 23 October 2022

Writing Tips: Subject, Verb, Object


There is more to writing well than learning the difference between "your" and "you're". 

Should you vary your sentence structure? Yes, but not by using a long, long “that clause” as a subject, or any long, long string of words. Subjects should be short and concrete. 

The Penwith Moors’ proposed designation as a site of special scientific interest by Natural England is to protect the ancient landscape and ensure its rare habitats, flora and fauna can thrive in partnership with local farmers. (15-word subject. Are the “habitats, flora and fauna” in partnership with local farmers? Or is Natural England in partnership... etc? How about “intended to protect”? And who is doing the proposing? The Penwith Moors or Natural England? West Penwith is pictured.)

Natural England's proposed designation of the Penwith Moors as a site of special scientific interest is intended to protect the ancient landscape and ensure its rare habitats, flora and fauna can thrive, in partnership with local farmers. (Still a 15-word subject, but we have Natural England proposing to designate the Moors.) 

Hiring as few people as you can get away with, and spending the bare minimum on them, is counterproductive. (17 words.)

Sometimes it's better to make your subject "it": It’s counterproductive to hire as few people as you can get away with, and spend the bare minimum on them.

It's better than using gerunds as subjects, anyway (hiring, spending).

This isn't a howler, but I'm tired of paragraphs that start: Part of the reason for [X phenomenon] is blah blah… “Part of the reason” is a weak subject, and doesn’t invite you to read on. Better to start with X phenomenon. 

But sometimes a long subject works:

A convicted housebreaker and killer turned soldier, courtier and magnate in the North of England can be identified as the author of the 14thC masterpiece Sir Gawain and the Green Knight, a philologist says. (@history1st)

This is the Time magazine technique of “backward ran the sentences until reeled the mind”.


REASON, FACT, WAY
Use a noun as your subject.
Not "why" but "the reason",  not "that" but "the fact that", not "how" but "the way".

Why the instrument, known as the Antikythera Mechanism, was aboard a vessel increasingly believed to be a merchant ship travelling from the eastern Mediterranean to Rome remains unknown. (Guardian June 2022. 26 words.) 

You may have been told not to use "the reason why" because it's a tautology, but we need a noun here and "reason" will do. But weren't you told to prefer the active to the passive? "We still don't know why... etc." Then we peak on "Rome". If you feel "we" is too vague, how about "Archaeologists still don't know..." (An editor told me never to use "we" or "you" because it's not clear who's being talked about – and he had a point.)

How physical places can enhance or damage our health may sound unscientific, but Esther Sternberg constructs a convincing argument in this book. (What sounds unscientific? How about: The idea that physical places...? And hang on, aren't all places physical?)

Was there a more exciting time to be in science than as the 18th century melted into the 19th? (New Scientist, 2009. Was there a more exciting time to be in science than the period when the 18th century melted into the 19th?)

Making the hoax more credible was that, during the previous year, hundreds of homes in the region had been damaged for real when the Ochoco creek flooded. (time.com. Make it "the fact that".)

Coronavirus has brutally reinforced that it pays to be privileged. (...the fact that...)

You cannot play online multiplayer because of how your Microsoft account is set up. (Make it: “because of the way...”.

Twenty-six word subject:
That Lady Hale and Lord Reid, giving the judgment of the Supreme Court, suggested that the question was one that was unlikely ever to arise again, can perhaps be taken as a warning to judges not to tempt fate. (Needs a "The fact that..."? Perhaps if you're the Lady Chief Justice you can get away with it.)

That he survived was partly due to his charm and wit. (Your subject is “that”, your verb is “to be”. Dull! "But he couldn't have survived without his charm and wit.")

That relatively few now claim asylum is because the vast bulk of the persecuted are ignorant of their right to it. ("Relatively few now claim asylum – because most of the persecuted are ignorant of their right to it." Or why not repeat "asylum"? "To it" is a rather feeble ending. This might even be a place for "their right to do so".)

That she survived with little apparent damage and went on to achieve literary renown – along with editing two editions of the Oxford Companion to English Literature, she has published a number of respected novels and a biography of Arnold Bennett – gives us some reason to hope for the future of Emma Evans, her narrator in this early novel. (Goodreads review of The Garrick Year, Margaret Drabble (A 40-word subject, containing a parenthesis. And you mean “the fact that”. Or how about "Her survival with little apparent damage and later literary renown..." Now we have two nouns as a subject: survival and renown.)

That the Denisovans were discovered in southern Siberia but contributed genetic material to modern humans in SE Asia suggests that their population may have been widespread. (Times 2010. The fact that...)

That seas marbled by oil slicks make breathtakingly beautiful images doesn’t neutralize them as records of devastation. (The fact that... Or "The breathtakingly beautiful images formed by oil slicks on the surface of the sea don't..." )

That the rules of grammar were ignored by the Barbarians was not entirely unsuspected. (The fact that... Unfortunately, "The Barbarians's ignorance..." doesn't have the same shade of meaning, and despite the old Punch joke there's no such word as "ignoral".)

@BenGoldsmith That the mountain lion, the apex predator of Texas, has until now been classified as ‘vermin’, with no protections whatsoever, is hard to believe. Now, that is at last changing, which is real and symbolic progress in America. (20-word subject. "The fact that..." Presumably the writer is avoiding "It is hard to believe..." Or "We find it hard to believe..." because who are "we"?)


More here, and links to the rest.

Sunday, 9 October 2022

Writing Tips: Show and Tell 2


Should you follow the advice to "show, don't tell"?

Characters are constantly grimacing and gesturing with their fists to express emotion, because the author has apparently been told it’s not writerly to merely tell the reader what’s happening. But what that emotion is precisely is not clear, and so everyone strides around like a bunch of demented mimes, making no sense. (Noah Stuart)

When I presented myself to the written test, the subject of Italian, I didn’t even remember who Dante Alighieri was. My feet were icy, contracting stomach sent back the taste of eggplant that mom ordered to "pull me up", anguish choked me. But then they communicated to us the topic: “the concept of homeland from the Greek police to today”. And it was worse than setting fire to the powders of my childish revolts, of my childish utopia. The cold disappeared, along with the taste of zabaglione, the anguish disappeared. Brandishing the pen, you threw me like a raging wolf on the protocol sheet, and this (kind of) is the summary of what I wrote for eight full columns. (Oriana Fallaci)

Presumably she’s talking about setting a match to gunpowder (it will then explode). Zabaglione is not made of aubergines (eggplant) but eggs, cream, sugar and sherry. Perhaps she meant "eggnog". This isn’t just too much “show don’t tell”, it is hyperbole – it is even over-writing. (More of this later.) And I’d rather have “I felt sick” than “my stomach contracted”. You don’t want to nauseate your readers. And what have the Greek police to do with the concept of homeland? I think she meant "polis", or city-state. And after all that, "brandishing the pen" is a dangling modifier.

Everything in her relaxed – the tight straining muscles, the tight straining thoughts. A kind of happy weakness came over her. She leaned back as far as she could against the chromium tubes and shut her eyes. Warm drops welled up behind her lashes and rolled down slowly one by one until her face was wet. She let them fall, it didn't matter at all – nothing mattered. (Patricia Wentworth. Her heroine is relaxing on a modernist chromium-plated bed.)

As Flaubert's friends advised: If you want to say it was raining, say "It was raining".

Punshon’s characters are emotionally incontinent: none of them ever seems to be a bit cross, or slightly worried, or mildly surprised, they all go straight for furious rage, abject terror, total shock or utter despair – it's exhausting. (Amazon review. E.R. Punshon started his writing career with successful melodramas.)

The endless descriptions of William drinking whisky to drown his guilt, his heart constantly thudding, pounding, racing, poor Annie’s repeated descent into sobbing for one reason or another, all became so repetitive that they lost any impact after a while. (Goodreads on C.S. Forrester’s Payment Deferred)

In novels of the earlier 20th century characters constantly turn pale or red. This is described in great detail (her lips had blanched, two bright spots of colour burned in her cheeks, a burning flush spread over her face, he turned a dusky red, the colour in his face darkened even further etc etc). What’s more, other characters notice the flushing, blanching etc. Characters “frown” a lot, too, especially in Mickey Spillane.

Her face was drained of all colour. Beneath the heavy tan his face had blanched. (The Mystery of Dr Fu-Manchu, Sax Rohmer) People constantly “blanch beneath their tan” in adventure stories from the 1880s on. Women blanch so that their rouge stands out in patches on their cheeks.

A dusky flush spread over his face – his square jaw became more set – a small muscle twitched at the corner of his nose and a vein throbbed in his forehead. (Margery Allingham, paraphrase. But she's such a good writer that we forgive her.)

Even E.M. ForsterHer husband worked his jaw severely. Little lumps appeared in front of either ear — a symptom that she had not yet learnt to respect.

Nervous people “pull at” their bottom lip. When they’re not doing this they’re biting their lip (gives you a chance to describe their teeth).

Plus “Beads of sweat appeared on his forehead, he mopped his brow”. Influenced by films/TV of the 50s and 60s? They loved spraying a man’s face with water to show that a) we are in a jungle or b) this person is upset, afraid or guilty.

Agatha Christie mainly avoids this kind of thing which is one of the reasons why I like her. 

More here, and links to the rest.