Yes, Agatha Christie was a snob who only wrote about aristocrats - wasn't she?
Or does she write more often about self-made men than hereditary aristocrats? In Giant’s Bread the beautiful old house is saved by a strategic marriage with a button-shank heiress.
In The Seven Dials Mystery, Lord and Lady Coote are only renting “Chimneys” from Lord Caterham. Lord Coote started life in a bicycle shop, and made his money from an unspecified “works”.
Roger Ackroyd, who looks “more like a country squire than a country squire himself”, made his money from wagon wheels.
The Crackenthorpe family in The 4.50 from Paddington descend from a man who used the wealth gained from manufacturing biscuits to build the “Victorian monstrosity” they rattle around in.
Carrie-Louise in They Do It With Mirrors starts out in life as an American heiress. She marries the wealthy Swede Eric Gulbrandsen, who sets up a charitable trust to administer his money after his death. She later marries Lewis Serrocold and together they start a school for delinquent boys – in another “Victorian monstrosity”.
Lord Whitfield in Murder Is Easy made his money from newspapers and bought the local manor house.
Perhaps I should explain that in the UK, "aristocrats" are people whose families have held titles and land since the Reformation in the 16th century. They look down on self-made men and recently conferred titles.
More about Christie here, and links to the rest.
Neat demolition of a mistaken stereotyping.
ReplyDelete